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Monday, February 28, 2011

Book of the Week (February 28, 2011)

The Clockwork Universe: Isaac Newton, the Royal Society, and the Birth of the Modern World

By Edward Dolnick

Call Number: Q 127 .E8 D65 2011

Publisher's DescriptionThe Clockwork Universe is the story of a band of men who lived in a world of dirt and disease but pictured a universe that ran like a perfect machine. A meld of history and science, this book is a group portrait of some of the greatest minds who ever lived as they wrestled with nature’s most sweeping mysteries. The answers they uncovered still hold the key to how we understand the world.

At the end of the seventeenth century—an age of religious wars, plague, and the Great Fire of London— when most people saw the world as falling apart, these earliest scientists saw a world of perfect order. They declared that, chaotic as it looked, the universe was in fact as intricate and perfectly regulated as a clock. This was the tail end of Shakespeare’s century, when the natural and the supernatural still twined around each other. Disease was a punishment ordained by God, astronomy had not yet broken free from astrology, and the sky was filled with omens. It was a time when little was known and everything was new. These brilliant, ambitious, curious men believed in angels, alchemy, and the devil, and they also believed that the universe followed precise, mathematical laws—a contradiction that tormented them and changed the course of history.

The Clockwork Universe is the fascinating and compelling story of the bewildered geniuses of the Royal Society, the men who made the modern world.

Edward Dolnick's Web Site
Review from the Wall Street Journal

Tuesday, February 22, 2011

Book of the Week (February 21, 2011)



At Home: A Short History of Private Life
By Bill Bryson

Call Number:  GT 165.5 B79 2010

Publisher's Description:  From one of the most beloved authors of our time—more than six million copies of his books have been sold in this country alone—a fascinating excursion into the history behind the place we call home. Review from the New York Times

"Houses aren't refuges from history. They are where history ends up."

Bill Bryson and his family live in a Victorian parsonage in a part of England where nothing of any great significance has happened since the Romans decamped. Yet one day, he began to consider how very little he knew about the ordinary things of life as he found it in that comfortable home. To remedy this, he formed the idea of journeying about his house from room to room to "write a history of the world without leaving home." The bathroom provides the occasion for a history of hygiene; the bedroom, sex, death, and sleep; the kitchen, nutrition and the spice trade; and so on, as Bryson shows how each has figured in the evolution of private life. Whatever happens in the world, he demonstrates, ends up in our house, in the paint and the pipes and the pillows and every item of furniture.

Bill Bryson has one of the liveliest, most inquisitive minds on the planet, and he is a master at turning the seemingly isolated or mundane fact into an occasion for the most diverting exposition imaginable. His wit and sheer prose fluency make At Home one of the most entertaining books ever written about private life.


Monday, February 14, 2011

Book of the Week (February 14, 2011)



Showtime:  A History of the Broadway Musical Theater
By Larry Stempel

Call Number:  ML 1711.8 .N3 S73 2010

Publisher's Description:  The definitive history of the Broadway musical: the shows, the stars, the movers, and the shakers. Showtime brings the history of Broadway musicals to life in a narrative as engaging as the subject itself. Beginning with the scandalous Astor Place Opera House riot of 1849, Larry Stempel traces the growth of musicals from minstrel shows and burlesques, through the golden age of Show Boat and Oklahoma!, to such groundbreaking works as Company and Rent.



Through each stage of its development, Stempel describes the Broadway stage with vivid accounts of the performers drawn to it, and detailed portraits of the creators who wrote the music, lyrics, and stories for its shows, both beloved and less well known. But Stempel travels outside the theater doors as well, to illuminate the wider world of musical theater as a living genre shaped by the forces of American history and culture. He reveals not only how musicals entertain their audiences but also how they serve as barometers of social concerns and bearers of cultural values.

Showtime is the culmination of decades of painstaking research on a genre whose forms have changed over the course of two centuries. In covering the expansive subject before him, Stempel combines original research—including a kaleidoscope of primary sources and archival holdings—with deft and insightful analysis. The result is nothing short of the most comprehensive, authoritative history of the Broadway musical yet published. 16 pages of four-color; 105 black-and-white illustrations

A Review of Showtime in the New York Times Sunday Book Review

Tuesday, February 08, 2011

Book of the Week (February 7, 2011)


Winner of the 2010 Caldecott Award for
Best Picture Book Illustrations

Available in the IMC (3rd floor)
Call Number:  PZ 7 .S808566 Si 2010

A Sick Day for Amos McGee
Written by Philip C. Stead
Illustrated by Erin E. Stead

Publisher's Description:  Amos McGee, a friendly zookeeper, always made time to visit his good friends: the elephant, the tortoise, the penguin, the rhinoceros, and the owl.  But one day—"Ah-choo!"—he woke up with the sniffles and the sneezes. Though he didn't make it into the zoo that day, he did receive some unexpected guests…Philip Stead's gently humorous tale of friendship and dedication is illustrated by his wife Erin Stead's elegant drawings, embellished with subtle hints of color.